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I found this classic Disney cartoon on YouTube, which is a wonderful source for videos like this; short, classics, fun. It will no doubt later be removed by the YouTube admins at the request of the copyright owners, as I’ve experienced it countless times before with this kind of material, so enjoy it while you can. Thankfully, fans never cease to upload new versions of videos like this again later.

Let me take this opportunity to take a quick look at the landscape we meet today as cultural niche producers.

The merits of metadata

One of the great merits of YouTube has been to blur and erode the sharp distinctions of copyright on the internet. When I post the video above on this blog, the material is nowhere near the webservers, which host this site. It is all orchestrated by metadata, passing between our site, your computer and YouTube. Before YouTube, most would be very careful about posting a video like this on a website. Now, few would object to it. Piracy, as the entertainment industry defines it, has moved from underground p2p networks into the broad open.

Bittorrent index-sites such as The Pirate Bay has found the orchestration of metadata to be a powerful blow against the forces, who want to keep cultural distribution the way it’s always been. The torrent-files of the bittorrent protocol contain only metadata, which can be freely published and copied by anyone. The metadata consists of pointers to material on the user’s computers, exchanged only with other computers which ask for access to the material, using the client software, which reads the information contained in the torrents and takes care of orchestrating the traffic of the real data.

Thus, with their emphasis on metadata, services such as YouTube and decentralized distribution tools such as bittorrent has made it easy to distribute popular material without being hampered too much by copyright concerns. Finding this kind of stuff is easy, simply search for it, using the sites’ own built-in search mechanisms, or a general web search engine such as Google.

But it is not so easy, if you’re either looking for a product or material, which is less popular, or if you are a producer of a niche product looking for a solution to solve your distribution problems. First, you can only search for what you know about, and you must actively perform a search for it. Second, the niche producer must perform a great effort to make you as a customer “know” his product before you can search for it.

Google’s Ads

There are two solutions to this problem so far. The first is to use mass media-like advertising, on the web (banner ads) or in other media. The second is to use more direct marketing tools. In the latter category, Google has sought to refine current solutions elegantly, with their Google Ads offering. In short, Google’s ad program couples advertisers’ keywords (Adwords) with users’ searches as well as websites signing up for the ads (Adsense). This means that Google’s ads (theoretically) become far more meaningful to the user (actively searching for information), than the dumb banner ads meeting every visitor on the same site, without differentiating between those interested and those who aren’t.

We’ll take a closer look at Google’s ad services at a later stage, but it is worth noting just a few things about their model. It presumes, that “search” is the way people find information on the web. It presumes that the web consists of meaningful, differentiated entities called websites. It is difficult to see, if the model is capable of differentiating between different types of products, or if it treats all the same. The model is good for niche products, in the sense that it reaches the users, who actively search for information about them. The obvious drawback for the niche producer is that he or she will have to pay up front, before any product has been sold (pay per click/view), and that he or she will have to invest a lot of time in creating and administrating a website and a payment system, in order to ‘monetize’ the traffic the ads bring in.

Bittorrent

Bittorrent provides a brilliant, decentralized distribution method, but it comes without tools to make products seen or charged for, which makes it less of an ideal solution, unless matched with other methods to create visibility and earn money (from traffic, for instance).

Bittorrent is a peer-to-peer technology, which allocates resources on a p2p network very effectively, by utilizing locally excess bandwidth and harddrive space. But, just as no method exists to charge for access, no method exists to provide incentive to continually host and seed files, especially files, which are less commonly in demand. This means, that while bittorrent is an effective, decentralized method of distributing large files, most torrents, which are less than popular, become “dead”, once the initial interest has faded. This leaves later peers emptyhanded and with no obvious way to obtain the material. Additionally, the bittorrent index-sites inherit the notion of “search” as the key to finding information. This means, that niche torrents are even harder off, as no method exists within the bittorrent model to make torrents more or less visible or known by peers, to make them able to search for them. Of course, if one utilizes bittorrent as a distribution model, one could easily match bittorrent with Google’s ad offerings. But this, then, leaves a producer with only expenditure, no income method, apart from what Adsense or other sideshow-income streams may pay.

For p2p networks, step one may have been to come out in the open, to publicize these vast indexes of mostly copyrighted material openly on the web. Now, step two must be to start finding ways to make it easy to utilize p2p networks as proper distribution channels.

In each their ways, these two examples contribute pieces to an image facing an online niche distributor, of which the key challenges are visibility and financing. The first installment of Kaplak will seek to answer these two challenges before others. What do you think? What are the primary challenges meeting you, as a niche producer using the internet?

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